Infrared Model

Infrared Model

Color Or Black And White: How To Use Them Wisely For Glamour Images

There is an ultimate question that vexes all glamour photographers, from beginners to gurus. Easy it sounds, simple it looks, but making a certain decision is as difficult as producing a perfect photo from the very first shot. The issue is called “Color or Monochrome?”

Most of its history photography has been monochrome – and nobody really concerned about bright and vivid colors. beauty photos were all black and white, still being distinguishable and artistic.

It all changed when film started capturing more than mere light and shadows, but also color. With the help of digital photography anyone with little effort is able to reproduce all the abundance of colors, which seems a strong enough argument to stand by “colorful glamour”.

So, let us investigate this matter and find the solution to using colors and black and white efficiently and wisely. There is no point advising about which of the ways fits best for you – Beauty Photography prefers freedom instead of concrete rules.

Firstly, it should be clarified that shooting a good monochrome photo is just as challenging as if you aimed for depicting all the shades that exist. If you think that, for example, shooting in black and white is going to make your photographer’s job easier, think again.

Light is crucial in both color and old school black and white photography. Unless you spend necessary time and effort to arrange good light for your work, photographs will keep being flat and uninteresting. No exceptions. Whether you are a fan of old school or prefer shooting in color, light is equally significant for your artistic success.

What is really different though, is the impression those two different photographic dimensions make upon the viewer. Some of them are best to learn right away:

  • Colors are excellent for placing accents you want your viewers to concentrate on. Colorful photo attracts immediate attention; it is considerably simpler to compose the elements withing the frame by tones and shades; different shades create different mood and contribute to the impact a photo can have.
  • Monochrome is more about textures and shapes, so less attention is paid to the nuances of shades. It also makes the game of light and shadow more visible, and therefore more comprehensive. If you aim for a touch of subtlety and exquisiteness while wishing to retain and even enhance the artistic impact, monochrome is a precious technique. Black and white can as well remove tone defects which never do any good to a beauty picture – if you got somewhat strange colors on the image, gray-scale is a life-saver.
  • Various kinds of monochromatic image have different effects on its mood. For example, sepia is fairly popular with photographers. There are many other techniques to try out infrared, hi-key, duotone and others. There are many tutorials on the Web, so nothing really limits your creativity.
  • Color can be effectively combined with black and white, though this is considered somewhat cliche, but who cares? If you feel you can produce something fresh and original with the help of cliches, go for it. Bright fragments within monochrome immediately draw attention and can prove invaluable for creating great atmosphere; black and white elements in the whirlpool of colors and tones work almost the same and may prove useful as well.

As in most cases, no way is really preferable or less challenging, both color and black and white glamour photography have their fans who never cease to discuss the advantages and downsides. Choice doesn’t even have to be made, as long as you can use those techniques efficiently to produce something of aesthetic and artistic value, you really shouldn’t bother. Creating a masterpiece is never about gear, techniques or style, it is about passion and your unique vision.

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